Whispers of royalty once graced the grounds of Bethlehemkerk. Queen Wilhelmina herself attended the inauguration of this Amsterdamse School gem in 1924. Bethlehemkerk isn’t just a church. It’s a testament to the architectural prowess of Adriaan Moen, commissioned by a group known as the “Association for Reformed District Interests North of the IJ”. They envisioned a house of worship that wouldn’t overshadow the surrounding homes. Bethlehemkerk stands at Zwanenplein, its design a harmonious blend of grandeur and intimacy. The church’s journey began in 1923, from the laying of the first stone by Miesje Stam, the preacher’s daughter, to its grand opening a year later. Initially nicknamed “Zwanenkerk” (Swan Church), the name felt too ordinary. It was later christened Bethlehemkerk, a name echoing a more profound significance. Imagine sitting in its pews, surrounded by H.J. Winkelman’s stained-glass windows depicting biblical scenes. The “Annunciation to the Shepherds” and the “Wise Men from the East” illuminate the space with vibrant colours. Notice the recurring snail shell motifs, a nod to the works of German zoologist and philosopher Ernst Haeckel. Bethlehemkerk’s story continued to evolve. In 1993, it ceased operation as a Reformed Church, passing through the hands of various religious communities. By 2015, it was no longer a church at all. Then, in 2017, a new chapter began. Studio 150 breathed new life into Bethlehemkerk, transforming it into a state-of-the-art recording studio. The meticulous restoration preserved the church’s exterior while adapting the interior for its new purpose. Today, Bethlehemkerk stands as a symbol of transformation, a place where the echoes of hymns now mingle with the melodies of contemporary music. From a house of prayer to a haven for musical creation, Bethlehemkerk continues to inspire.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to