Weibliche Figur

“A woman of bronze, forever frozen in time.” That’s how one might describe the Weibliche Figur, a sculpture by Heinrich Martens, standing serenely near the old Aussersihl town hall. While the Weibliche Figur might not be as famous as some of Zurich’s grand monuments, it holds a story that speaks volumes about art, identity and the changing tides of time. The sculpture depicts a woman, strong and proud, her form reflecting a classic artistic style. This artwork was never meant to be simply admired. It was a statement. Created in 1928 by Alis Guggenheim, a Swiss sculptor of Jewish heritage, this Weibliche Figur was meant to challenge the very definition of what it meant to be a Swiss woman in those times. Originally displayed at the SAFFA, the Swiss Exhibition for Women’s Work, the sculpture was met with mixed reactions. Some saw in it an embodiment of strength and resilience. Others found it too radical, too modern for their taste. Despite initial interest, the city of Zurich ultimately declined to purchase the Weibliche Figur. The sculpture was relegated to the backyard of Guggenheim’s studio, almost forgotten by the world. She remained there for over forty years, a silent witness to the passage of time. It wasn’t until 1999, long after Guggenheim’s passing, that the Weibliche Figur was finally given a place of honor. Rediscovered and appreciated for its artistic merit and historical significance, the sculpture found its home in the heart of Zurich. Today, the Weibliche Figur stands as a reminder of the enduring power of art. It’s a testament to the vision of its creator, Alis Guggenheim, and her bold statement about womanhood and identity. Standing before this Weibliche Figur, take a moment to reflect on its journey. For within the bronze lies a story of perseverance, rediscovery, and the timeless dialogue between art and society.