Did Valeriano Napione, the majordomo of Prince Emanuele Filiberto, truly intend to outshine his master? Here at the Villa del Maggiordomo, whispers of this rivalry still linger. The Villa del Maggiordomo sits inconspicuously, hidden amidst industrial plants and warehouses between Turin and Grugliasco. This 17th-century villa, often referred to as “Il Maggiordomo,” bears a striking resemblance to Palazzo Carignano, almost like a smaller, more intimate version. Valeriano Napione, the villa’s first owner, held a position akin to a prime minister in the court of Savoy-Carignano. Could this villa have been his attempt to rival the grandeur of his prince’s Palazzo Carignano, also designed by the renowned Guarino Guarini? While no concrete evidence exists to confirm Guarini’s involvement with the Villa del Maggiordomo, the architectural similarities are compelling. The use of similar materials, particularly the terracotta tiles in the cornice, strongly suggests a connection between the two projects. Perhaps Valeriano had access to the same resources as his prince, fueling the speculation of a silent competition. Over the centuries, the Villa del Maggiordomo has changed hands many times, each new owner leaving their mark. From the Dellala family of Beinasco, who added wings, a chapel, and new decorations, to the Peyron family’s 20th-century renovations overseen by architect Carlo Ceppi, the villa carries layers of history within its walls. Today, the Villa del Maggiordomo stands in a state of disrepair, a poignant testament to time and neglect. Overgrown vegetation obscures its beauty, protecting it from vandals but also contributing to its decline. Despite its current state, the remnants of its former glory are still visible: traces of stucco decorations, the remains of a grand wooden spiral staircase, and the unique curved central hall. The Villa del Maggiordomo stands as a silent plea for restoration, a hidden gem waiting to be rediscovered and brought back to life.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to