In 1930, a grand new theatre emerged in Tokyo’s Tsukiji district. The Tokyo Gekijo, affectionately known as Togeki, boasted nearly 1,900 seats. This magnificent structure was designed to host a variety of performances. Kabuki, Western operas, and even movies graced its stage. Togeki wasn’t just a theatre; it was a symbol of resilience. After the devastation of World War II, it stood as the sole surviving theatre in a city scarred by bombings. It quickly became a haven for Kabuki, a traditional Japanese art form seeking a stage to revive its splendor. Even before the official surrender documents were signed, Togeki opened its doors to the public. Just two weeks after the surrender, the theatre hosted a performance featuring Ichikawa Ennosuke II and his company. The plays Kurozuka and Tokaidochu Hizakurige marked a return to normalcy and a celebration of Japanese culture in a time of great uncertainty. The Tokyo Gekijo possessed all the architectural elements essential for a proper Kabuki performance, including a revolving stage and a hanamichi (audience runway). These features underscored its dedication to preserving tradition. This dedication allowed the Togeki to play a crucial role in keeping Kabuki alive during a challenging period. The theatre served as a temporary home for Kabuki until the reconstruction of the Kabuki-za theatre was completed in 1952. Following this, the Tokyo Gekijo transitioned into a movie theatre known as the Road Show Theater. This marked a new chapter in its history, but its legacy as a sanctuary for Kabuki and a testament to the resilience of art in the face of adversity lived on.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to