Why does St. Mariä Himmelfahrt seem familiar even if you’ve never been to Cologne before? Look around. St. Mariä Himmelfahrt is a visual tapestry of architectural styles. It beautifully blends elements of Romanesque, Gothic, Renaissance, and Baroque. This wasn’t an accident. The Jesuits, who commissioned this grand church, wanted a powerful symbol of unity and continuity within the Catholic Church. Imagine this church in the 17th century. It was a beacon of faith, rising majestically amidst the city’s skyline. The cornerstone of St. Mariä Himmelfahrt was laid in 1618. The church was finally consecrated in 1678. For centuries, St. Mariä Himmelfahrt held the prestigious title of being the second largest church in Cologne, second only to the magnificent cathedral. Step inside, and you’ll be greeted by a bright and airy interior, a hallmark of the Baroque style. But look closer. Those soaring arches and intricate tracery windows whisper tales of an earlier Gothic influence. St. Mariä Himmelfahrt, even in its grandeur, pays homage to the architectural traditions that came before.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to