Clutching his fuller’s staff, the St. James the Younger statue stands as a silent sentinel. High above, the copper gleams. He’s not as famous as his namesake, St. James the Greater. Yet, this St. James the Younger, also known as James the Less, holds a unique place in the apostolic narrative. The statue, sculpted by Adolphe Victor Geoffroy-Dechaume and crafted by the Ateliers Monduit in 1861, captures a sense of quiet contemplation. The closed book in his left hand speaks to his wisdom and knowledge of scripture. The fuller’s staff, a tool used to thicken cloth, ironically became the instrument of his martyrdom. Designed by the renowned architect Eugene Viollet-le-Duc, the statue is a testament to the enduring power of faith. While the statue itself dates back to the 19th century, the story of St. James the Younger stretches back to the very beginnings of Christianity. He’s often referred to as “the brother of the Lord,” though the exact nature of their relationship is debated by scholars. What’s clear is his important role in the early church. Tradition holds that he became the first Bishop of Jerusalem, a position of immense responsibility in the nascent Christian community. This quiet, unassuming apostle, depicted here with a closed book, played a pivotal role in shaping the course of religious history.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to