Gazing up at Squarehouse, can you envision the flurry of activity that marked its birth in 1961? Originally, this city block was a jumble of 30 different properties and buildings. Then came Dick Dusseldorp, the visionary founder of Lendlease, who saw potential in this bustling space. He spearheaded the project that would transform this area into the iconic Squarehouse we see today. Squarehouse, completed in 1967, was a marvel of engineering, becoming Sydney’s tallest building at the time and Australia’s first true skyscraper. Its circular design, a brainchild of architect Harry Seidler, was not just aesthetically pleasing; it minimized the “dark canyon effect” often seen with towering structures. This innovative approach allowed more light to reach the streets below, creating a vibrant atmosphere around Squarehouse. Seidler collaborated with renowned structural engineer Pier Luigi Nervi, using lightweight concrete in a way that had never been done before on such a scale. This made Squarehouse the world’s tallest lightweight concrete building upon completion. Imagine the construction workers meticulously placing each piece, knowing they were creating a landmark that would define Sydney’s skyline. Squarehouse wasn’t just about reaching for the sky. Seidler understood the importance of public space. He incorporated a large plaza with fountains, trees, and outdoor restaurants. This provided a welcome respite from the urban hustle and bustle, a place where people could gather and relax in the shadow of the impressive tower. This focus on public space was a pioneering concept, setting a precedent for future developments. Look around you. The open space you enjoy at Squarehouse was a groundbreaking idea, showcasing how private land could be integrated with public life. Beyond the innovative design and construction, Squarehouse also became a canvas for art. A striking steel sculpture by Alexander Calder, “Crossed Blades,” stands proudly in the forecourt. The lobby, originally adorned with tapestries by Le Corbusier and Victor Vasarely, later showcased a mural by Sol LeWitt. Squarehouse continues to evolve and inspire. It stands as a testament to the vision of its creators, a symbol of Sydney’s growth and a hub of activity in the heart of the city.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to