A grey cube. That’s the first impression of the Simultanhalle. A windowless structure. It stands stark against the Cologne sky.
This unassuming building in Volkhoven holds a significant story. It’s more than just a gallery. It’s a testament to perseverance. It’s a prototype. In 1979 architects Peter Busmann and Godfrid Haberer built this. It served as a test run for the planned Wallraf-Richartz Museum and Museum Ludwig complex near Cologne Cathedral. They tested lighting. They experimented with exterior wall coverings. They even tried out different ceiling and floor materials.
Imagine. A simple test. A temporary structure. Yet it became so much more. In 1983 the Simultanhalle faced demolition. Artist Eva Janošková intervened. She organized exhibitions. She secured funding from the city. The planned demolition was stopped. The building was saved.
The Simultanhalle was reborn. It became a vibrant hub for contemporary art. From 1989 a rotating group of curators shaped its exhibitions. They showcased the work of around 150 artists. The Simultanhalle fostered local talent. It created a space for exchange and artistic dialogue.
Notice the distinctive white shed roof sections. These are striking. The shed roofs form the building’s 12-meter peak. They are angled at 55 degrees. They’re fitted with northern-facing windows. The building’s wooden frame is clad in various materials. Red tiles. Zinc sheets. Black bitumen panels.
The Simultanhalle’s interior is white. A rotated white shell structure echoes the roof’s design. It creates soft indirect light.
Unfortunately the Simultanhalle’s story isn’t quite finished. The building is in poor condition. It’s been closed since 2018 due to safety concerns. Demolition is a real possibility. But the fight to save this unique space continues. The Simultanhalle remains a reminder of the unexpected power of art. And of the endurance of a building that was never meant to last. It is a story of creativity and preservation. It’s a story worth remembering.