School of Dance and Circus

Sweden’s rich artistic heritage unfolds before us at the School of Dance and Circus, or DOCH as it was once known. Before it merged with Stockholm University of the Arts in 2014, the School of Dance and Circus was a vibrant hub of creativity. Established in 1963 as the Institute of Choreography, its name evolved over the years, reflecting its growing scope. In 1978, it became the University College of Dance, and later, in 2010, it blossomed into the University of Dance and Circus, embracing both art forms under one roof. The Swedish government fully funded DOCH. This meant that Swedish and EU citizens could pursue their artistic passions without the burden of tuition fees. Imagine the halls filled with aspiring dancers and circus performers, honing their skills without financial constraints. The circus program at the School of Dance and Circus was renowned for its rigorous selection process. Hopefuls from around the world would gather in Stockholm, their hearts pounding with anticipation as they auditioned. They showcased their strength, flexibility, and theatrical prowess. Each applicant brought a unique performance specialty, from acrobatics and equilibristics to aerial techniques and juggling, hoping to impress Ivar Heckscher, the head of the program. Interestingly, until 2007, no American had ever been accepted into the prestigious neocircus program. But in June of that year, American juggler Wes Peden defied the odds. He became one of the sixteen chosen students, selected from a pool of sixty-eight candidates, who were themselves whittled down from a staggering two hundred applicants. The School of Dance and Circus, a place where dreams took flight and artistic boundaries were pushed.