From a sugar manufacturer’s legacy to a world-renowned museum. The Rautenstrauch-Joest-Museum, right before us, stands as a testament to the entwined history of exploration, colonialism, and ethnology. The museum’s story begins with Wilhelm Joest, son of a Cologne sugar manufacturer. His travels led him to amass a vast collection of over 3,500 objects. After his untimely death in 1897, his sister, Adele Rautenstrauch, inherited this remarkable collection. In honor of her brother and her late husband, Eugen Rautenstrauch, Adele financed the construction of a museum in Cologne. The Rautenstrauch-Joest-Museum opened its doors in 1906 on Ubierring, in the south of Cologne. The Rautenstrauch-Joest-Museum’s initial collection formed a core of what would become a vast repository of global cultures. Today, the museum boasts an impressive 65,000 objects from Oceania, Africa, Asia, and the Americas. It also houses an extensive archive of around 100,000 historical photographs and 40,000 reference books. The museum’s founding coincided with a complex period in history. The late 19th and early 20th centuries were not only a time of exploration but also of colonial oppression. This context shaped the development of ethnology as a discipline. Cologne itself was a hub of the German colonial movement. This historical backdrop is essential to understanding the Rautenstrauch-Joest-Museum and its collection. The Rautenstrauch-Joest-Museum building has also witnessed its share of challenges. During World War II, it suffered significant damage, with the entire north wing destroyed. Despite rebuilding and an extension in the 1960s, the museum eventually outgrew its space. Then, in the 1990s, two major floods inundated Cologne, rendering the underground storage areas unusable. The need for a new building became clear. After fifteen years of planning, the Rautenstrauch-Joest-Museum was reborn in 2010 at its new location in Cologne-Neumarkt. The new museum adopted a focus on cultural comparison. This approach emphasizes the interconnectedness and equal value of different cultures. The museum has earned numerous accolades, including the prestigious Council of Europe Museum Prize in 2012. The Rautenstrauch-Joest-Museum continues to evolve. It has embarked on a journey of critical self-reflection. This includes provenance research and repatriation efforts. The return of a mummified toi moko head to Aotearoa/New Zealand in 2018 marked a significant step in this ongoing process. The Rautenstrauch-Joest-Museum stands as more than just a repository of artifacts. It is a dynamic space. It engages with complex histories and fosters cross-cultural understanding. It invites us to explore the diverse tapestry of human cultures and reflect on our shared humanity.
Pfarrkirche Christi Geburt
“Look at that unusual shape,”” a passerby remarked, gesturing towards the Pfarrkirche Christi Geburt. “”It’s like nothing I’ve ever seen