“What if a city vanished leaving only echoes?” I ask. Before you stands Queen City a poignant reminder of a lost community. This isn’t just a monument. It’s a 35-foot-tall cylindrical structure. It’s a testament to a vibrant African American neighborhood. Queen City thrived for over 40 years in Arlington Virginia. Its residents were descendants of Freedman’s Village a settlement for freed slaves. Queen City was a self-sustaining community. It was tragically demolished in 1941. The Pentagon’s construction required the land. 903 people lost their homes with little to no compensation.
Artist Nekisha Durrett created this installation. It’s a powerful tribute. The exterior is unassuming brick. The interior is awe-inspiring. Inside are 903 ceramic teardrop vessels. Each one represents a displaced resident. Durrett collaborated with 17 Black ceramicists from across the country. They created these vessels. They’re a stunning display of artistry and remembrance. The space feels cathedral-like. Durrett intended for this. This solemn feeling contrasts with its busy surroundings. It’s a place to reflect. It’s a powerful statement about making visible what was erased.
Queen City’s story isn’t just about bricks and ceramic. It’s about a community’s resilience. It’s a story of loss injustice and the ongoing fight for recognition. This public art installation ensures Queen City’s story is not forgotten. It’s a reminder that history needs to be remembered. It challenges us to confront the past. It encourages us to learn more about hidden histories. This is far more than a building. Queen City is a living memorial. It’s a symbol of strength hope and remembrance for a community unjustly lost. This is Queen City’s legacy.