Envision a railway flatcar, laden not with goods, but with symbols of faith – crosses, both Latin and Orthodox, alongside Jewish and Muslim markers. This is the Pomnik Poległym i Pomordowanym na Wschodzie, the Monument to the Fallen and Murdered in the East. Here, at the intersection of Muranowska and General Władysław Anders streets, this poignant memorial stands as a stark reminder of the tragic fate of Polish citizens during and after World War II. The Pomnik Poległym i Pomordowanym na Wschodzie isn’t just a static sculpture. It’s a journey frozen in time. The flatcar, a symbol of deportation and forced labor, sits upon railway tracks. Each sleeper beneath the tracks bears the name of a place etched in sorrow – a departure point for those sent east, or the chilling name of a labor camp, a collective farm, a remote village of exile, or even a mass murder site. The Pomnik Poległym i Pomordowanym na Wschodzie doesn’t shy away from the religious diversity of the victims. The crosses, stark against the metal of the flatcar, represent the shared suffering of Poles from different faiths. One cross in particular carries a heavy weight. It commemorates Stefan Niedzielak, a priest and Katyn activist whose mysterious murder in 1989 adds another layer of tragedy to this story. Look closer at the Pomnik Poległym i Pomordowanym na Wschodzie and you’ll see more. A Polish Cross of Valour, a symbol of resistance and bravery. A Polish eagle, bound by rope, bearing the date of the Soviet invasion – September 17, 1939 – a date forever seared into Poland’s memory. Two inscriptions complete the memorial. “Poległym pomordowanym na Wschodzie” – “For those fallen in the East.” And, “ofiarom agresji sowieckiej 17.IX.1939. Naród 17.IX.1995” – “For the victims of Soviet aggression 17.IX.1939. The Polish nation 17.IX.1995.” The Pomnik Poległym i Pomordowanym na Wschodzie was unveiled on this very date in 1995, a day chosen to coincide with the anniversary of the Soviet invasion. Even today, this poignant memorial serves as the backdrop for annual ceremonies, ensuring that the memory of these tragic events, and the victims they claimed, are never forgotten. Even Pope John Paul II paused here in prayer during his 1999 pilgrimage, a testament to the memorial’s profound significance.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to