“Bombs meant for the Westbahn rained down,” whispered an old Viennese woman, her eyes fixed on the Lützowhof. “But the Lützowhof endured.” It’s 1945. The Lützowhof, still relatively new, having been completed just before the war in 1939 by architect Konstantin Peller, bore the scars of near misses. The bombs, intended for the nearby railway, had shaken the building, damaged its facade, and terrified its residents. Yet, the Lützowhof, named after the Austrian baron Adolf Freiherr von Lützow, stood defiant. Now, let’s step back to a brighter time. The late 1930s. Vienna thrived, and the Lützowhof arose as a modern marvel, boasting 110 apartments. Its design, a clever utilization of the sloping land, created a unique structure. Three gabled wings stretched perpendicular to Linzer Straße. A long rear wing followed the curve of Fünkhgasse. This arrangement created intimate, garden-like courtyards, offering residents a peaceful escape from the bustling city. Transparent noise barriers shielded these courtyards from the noise of Linzer Straße, creating a tranquil oasis within the urban landscape. The war, however, left its mark. By the mid-1950s, Vienna was rebuilding, and the Lützowhof underwent a transformation. An additional floor was added. The roof was expanded, creating more living space for a city in recovery. The Lützowhof now provided 174 apartments, a testament to Vienna’s resilience. Today, as you stand before the Lützowhof, you can still see the echoes of its past. The additions from the 50s blend seamlessly with Peller’s original design. The noise barriers protect the peaceful courtyards, maintaining the unique character of this remarkable housing complex. The Lützowhof is more than just a building. It’s a living testament to Vienna’s enduring spirit, its ability to rebuild and adapt, while preserving its unique charm.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to