In 1499, a craftsman etched a proud imperial eagle onto a pane of glass, destined for a new church rising on the shores of Lake Zurich. This church, the Kirche Zollikon, has witnessed centuries of change. The Kirche Zollikon isn’t just a beautiful building. It’s a living testament to the enduring spirit of Zollikon. The original structure, dating back to the 9th century, was a humble chapel. It later evolved into a small church, first mentioned in records in 1223. Imagine the abbots of Kappel am Albis and Muri mediating a tithe dispute within those very walls. The late 15th century saw the birth of the Kirche Zollikon we see today. The townspeople, granted permission by Zurich’s council to fundraise, erected a new nave and bell tower with its distinctive Käsbissendach. A year later, after resolving a financial disagreement with the Grossmünster canons, the choir was completed. The eagle, crafted by Lux Zeiner, symbolizes the era’s imperial connections. The Zurich cantonal coat of arms, flanking the eagle, followed in 1520, works of Lienhart Brun. Over the centuries, the Kirche Zollikon underwent numerous transformations. The weighty wooden ceiling gave way to ornate plasterwork in 1743, thanks to Johannes Meyer. After a lightning strike in 1691 and a partial collapse in 1794, the Käsbissendach was replaced by a spire in 1795, inspired by the Fraumünster in Zurich. Envision the towering, slender spire, designed by Johannes Volkart and Johann Murer, reaching towards the heavens. Four clock faces, each adorned with a gable, and a gleaming copper roof, added in 1898, completed the picture. The church bells, tuned to B-flat major and cast by H. Rüetschi in Aarau, filled the air with their melodious chimes. Inside, the Kirche Zollikon continued to evolve. In 1908, electric lights illuminated the space, a new rectory was built, and the first organ resonated within the choir. Hermann Fietz oversaw these changes, including a new pulpit, baptismal font, and pews. As Zollikon grew, so did the need for a larger church. In 1937, an extension provided 170 additional seats. A new organ, crafted by Orgelbau Kuhn, replaced the 1908 instrument in 1971. The Kirche Zollikon has also been a silent witness to significant historical events. It served as a haven for the Anabaptist movement during the Reformation. In 1525, following the first adult baptism in Zurich and facing persecution, Anabaptists sought refuge in Zollikon. Jürg Blaurock’s sermons ignited a spiritual awakening, drawing people from all walks of life. Picture them gathering in the church, by the Nebelbach fountains, and in private homes, sharing bread and wine in early Protestant communion ceremonies. A plaque on Gstadstrasse 25 marks one of these gatherings. Today, Anabaptists from around the world still visit this site and the Kirche Zollikon, a testament to its historical significance. The Kirche Zollikon stands tall, a symbol of faith, resilience, and the rich tapestry of Zollikon’s past.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to