Journey back to 1393. Picture a humble temple named Kōmyō-ji, the precursor to the grand Zōjō-ji we stand before today. Zōjō-ji wasn’t always here in Shiba. It started its life in the area of present-day Kōjimachi in Chiyoda. Under the guidance of Yūyō Shōsō, it transitioned from the Shingon school to the Jōdo school, marking a pivotal moment in Zōjō-ji’s history. Fast forward to 1590. Tokugawa Ieyasu, the powerful shogun, entered Edo. He chose Zōjō-ji as the Tokugawa family temple. This decision dramatically changed Zōjō-ji’s destiny. The temple was moved to Hibiya and finally settled here in Shiba in 1598. Zōjō-ji blossomed under the Tokugawa patronage. It became a sprawling complex, a symbol of the shogunate’s power. Imagine over 120 buildings, bustling with 3,000 priests and novices. Within the temple grounds, six Tokugawa shōguns found their final resting place in the Taitoku-in Mausoleum. Sadly, much of Zōjō-ji’s grandeur was lost to time and war. Fires, earthquakes, and the air raids of World War II took their toll. The magnificent Taitoku-in Mausoleum was destroyed, its ornate structures reduced to ashes. Yet, amidst the destruction, a single structure endured: the Sangedatsumon. This two-storied main gate, built in 1622, is the oldest wooden structure in Tokyo. Passing through its vibrant vermillion entrance, it is said one is freed from the three passions: greed, hatred, and foolishness. Today, Zōjō-ji stands as a testament to resilience. The Daiden (Great Hall), rebuilt in 1974, houses a revered image of Amida Buddha. The temple remains the head temple of the Jōdo sect in the Kantō region. Zōjō-ji continues to offer solace and spiritual guidance. It serves as a vibrant hub for religious and cultural activities, forever intertwined with the history of Tokyo and the legacy of the Tokugawa shogunate.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to