Hidden in plain sight, the Jesuitenkirche stands as a testament to Trier’s layered past. This church, also known as the Dreifaltigkeitskirche (Trinity Church), whispers stories of Franciscans, Jesuits, and even a touch of Karl Marx. The Jesuitenkirche wasn’t always a Jesuit stronghold. It began its life in the 13th century as a Franciscan monastery church. The Jesuits arrived in 1570, making it their own until 1773. Imagine the changes they implemented, adding a third nave to the original two, mirroring the older design. Beneath the northern aisle lies a crypt, the final resting place of Friedrich Spee von Langenfeld. Spee, a Jesuit priest, bravely challenged the horrors of witch hunts in the 17th century. His writings contributed significantly to their eventual abolition. The Jesuitenkirche’s story took a secular turn during the French Revolution. It served briefly as a storage space for French troops before becoming a “Temple of Reason.” After Trier became Prussian, the Jesuitenkirche served as a simultaneous church for both Catholic and Protestant congregations. In 1834, a young Karl Marx was confirmed within these very walls. The tug-of-war for the Jesuitenkirche continued, culminating in an 1856 lawsuit. The Episcopal Seminary emerged victorious, reclaiming the church. Today, the Jesuitenkirche retains echoes of its varied past. The Marien-Votivaltar, originally in the Jesuit college courtyard, now graces the choir. The church’s southern apse holds the 15th-century epitaph of Princess Elisabeth von Görlitz. Look up at the vaulted ceilings. The floral motifs, recreated during the 1988-93 renovations, add a touch of timeless elegance. The Jesuitenkirche isn’t just a building; it’s a living chronicle of Trier’s history.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to