Gazing across the Neckar at the ruins of Burg Hofen, one can almost hear the whispers of history. Hofen, nestled in Stuttgart’s Mühlhausen district, first appeared in records in 1120. This unassuming district holds a captivating story, a blend of resilience and transformation. Originally a strategic point securing the Neckar crossing to Mühlhausen, Burg Hofen met its demise during the Thirty Years’ War. Yet, from destruction arose new life. The stones of the ruined castle found a new purpose, becoming part of the St. Barbara Church in 1783. This church, a beacon of Catholicism in a largely Protestant region, houses the Stuttgart Madonna. Legend says the Madonna herself urged the last Catholic priest of Stuttgart’s Stiftskirche to rescue her from destruction. He brought her to Hofen in 1535, where she remains a focus of pilgrimages. Hofen’s story continued to unfold as the quiet village transformed. The industrial revolution spurred Stuttgart’s growth, and Hofen changed along with it. The construction of Steinhaldenfeld and the Max-Eyth-See brought new residents. The creation of the Max-Eyth-See in 1935, initially a gravel pit, further reshaped the landscape. Once a public swimming area, it later became a haven for water birds and a popular recreation spot. This little district by the Neckar, once a quiet farming community, became part of the bustling city of Stuttgart in 1929. Hofen, despite the changes, retains its unique character. The old town, with its winding streets and historic buildings, coexists with the modern additions. The spirit of Hofen endures, a blend of the old and the new, a testament to its resilient past.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to