Gazing up, a glint of gold catches your eye. The Goldener Waller. Not the medieval tower, but a modern marvel. This shimmering, streamlined sculpture of a Wels catfish, or “Waller” in Bavarian, perches atop the steps of the Donaumarkt. Installed in 2019, the Goldener Waller is the creation of the artist duo stoebo – Bogman & Störmer. Its sleek form, devoid of intricate details like fins or barbels, emphasizes movement and dynamism. The gilded surface, coated in 23 ¾ karat gold leaf, seems to shift and shimmer in the light. It’s a bold contrast to the historic backdrop of Regensburg’s Altstadt. The Goldener Waller’s positioning is deliberate. Its massive head rests on the pedestal, while its body stretches out over the steps, as if swimming towards the Danube River. This creates a striking landmark, visible from afar. It also adds a modern artistic element to the Donaumarkt, complementing the Museum of Bavarian History and the new city quarter. Imagine approaching Regensburg from the Danube. You climb the steps, and the city unfolds before you: the silhouette of the Altstadt, the imposing museum, and the playful curve of the Goldener Waller. Three distinct elements, yet they harmonize beautifully. The Goldener Waller invites interpretation. It conjures up images of a time when giant catfish might have been caught at the Donaumarkt. It symbolizes the connection between the city and the river. Interestingly, the history of the European Wels catfish mirrors Regensburg’s own history of migration and settlement. The catfish originated in Central Asia, spreading across Eastern and Central Europe, much like the various peoples who migrated to Regensburg, from the Marcomanni to the Slavs, Avars, Magyars, and Huns. They settled here, contributing to the rich tapestry of Bavarian culture. The Goldener Waller is more than just a sculpture. It’s a symbol of Regensburg’s open spirit, its rich history, and its embrace of the modern.
Kreuz am Donau-Damm
A somber shadow falls upon the Danube. We stand before the Kreuz am Donau-Damm. This unassuming cross silently witnesses Regensburg’s