Nestled amidst the modern structures of Tokyo, the Former Shibusawa Residence stands as a testament to a bygone era. The Former Shibusawa Residence, once the home of Eiichi Shibusawa, the “father of Japanese capitalism,” has a fascinating story to tell. The original structure, the Omotezashiki, was built in 1878 in Fukagawa, Tokyo. This main building was constructed by Shimizu Kisuke II, the second owner of the Shimizu Corporation. The house embodies a unique blend of Japanese and Western architectural styles. It reflects the changing times and the global influences Shibusawa encountered during his life. Shibusawa, born in 1840, led a remarkable life. He transitioned from a shogunate warrior to a government official and finally, a prominent industrialist. He played a key role in establishing key institutions like the First National Bank and the Tokyo Stock Exchange. The Former Shibusawa Residence was not merely a house, but a witness to Shibusawa’s life and legacy. The residence was expanded between 1891 and 1900, with the addition of a Hanare, or annex. After several relocations and renovations, the residence found its current home in Shiomi, Koto City. The Former Shibusawa Residence was relocated to Mita in 1908. A major renovation in 1930 transformed it into the combined Japanese and Western style seen today. This renovation included the addition of a Western-style wing, designed by architect Nishimura Yoshitoki. The Former Shibusawa Residence has been meticulously restored. Today, it stands as a tangible piece of Japanese modern housing history. The residence offers a glimpse into the life of a man who shaped Japan’s economic landscape. Inside, the room Shibusawa used upon returning home is preserved. It’s a poignant reminder of the man behind the legend. This residence, once a private home, now stands as a symbol of historical and cultural significance. The Former Shibusawa Residence invites you to step back in time and experience a piece of Japan’s rich past.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to