Behold Die vier Farben des Kartenspektrums. These four concrete panels stand before you. They are a vibrant testament to Herbert Volz’s artistry. Created in 1987 this sculpture is part of his ‘Kantenspektrum’ series.
Die vier Farben des Kartenspektrums isn’t just a pretty sight. It’s a piece of Stuttgart’s history. It was installed during the ‘Plastik im Freien’ event in the Ostheim district. The sculpture’s placement reflects the city’s commitment to public art.
Notice the rich colors. Each panel’s inner face is painted. Vibrant red yellow lilac and blue fill the spaces. These are the four colors of the ‘Kantenspektrum’. They are a visual representation of Volz’s exploration of color and form.
The concrete is not merely a background. It is part of the artwork itself. Volz uses the texture and the nature of the concrete. This adds to the overall visual and tactile experience. The panels are arranged in pairs facing each other. This creates an intimate conversation between colors and forms.
Die vier Farben des Kartenspektrums is more than just a sculpture. It is a dialogue. A conversation between the artist the city and the viewer. It invites contemplation and reflection. It’s a vibrant piece of public art that continues to enrich Stuttgart’s urban landscape. Its simple yet striking design ensures it remains an iconic feature in the city’s eastern landscape. So take a moment soak in the colors and let this artwork speak to you.