Is it possible for a church to have an identity crisis? Chiesa di Santa Maria della Consolazione seems to think so. You see, this beautiful church nestled in the Castello district of Venice has a secret. It answers to two names. While its official name speaks of consolation, the locals affectionately call it “La Fava,” the Bean Church. The story goes that a nearby pastry shop, famous for its delicious fava bean sweets, especially popular on All Souls’ Day, lent its name to the church. Built in the late 15th century, Chiesa di Santa Maria della Consolazione originally housed a revered image of the Madonna and Child. Over the centuries, it changed hands, even falling under the patronage of the Oratorians, a religious order founded by the music-loving Saint Philip Neri. But its most dramatic transformation came in the early 1700s. The old building was demolished, making way for a brand new Chiesa di Santa Maria della Consolazione. Architect Antonio Gaspari envisioned a grand Roman-inspired design, complete with an oval plan and a majestic dome. However, not everyone shared his enthusiasm. After much debate, a compromise was reached. The result? The uniquely charming Chiesa di Santa Maria della Consolazione you see before you today. It boasts a central plan with softly rounded corners, a gentle nod to Gaspari’s original vision. Step inside, and you’ll be greeted by a symphony of art and architecture. The unfinished facade gives way to a harmonious interior graced by works from some of Venice’s most celebrated artists, including Tiepolo and Piazzetta. Look for the eight statues lining the nave, masterfully sculpted by Giuseppe Bernardi, the teacher of the renowned Antonio Canova. So, is it Chiesa di Santa Maria della Consolazione or La Fava? Perhaps it’s both, a testament to the way history, art, and even a sweet treat can intertwine to create something truly unique.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to