Hastily constructed walls, a makeshift roof, can you imagine the plight of refugees in 16th-century Rome? Right here, on Via Tomacelli, stands the Chiesa di San Girolamo dei Croati, a beacon of hope for Croatian refugees fleeing the Ottoman Empire. The Chiesa di San Girolamo dei Croati wasn’t always the grand edifice you see today. It began as a humble refuge, granted by Pope Nicholas V in 1453, a year etched in history as Constantinople fell. Imagine their desperation, these souls seeking solace amidst the ruins of Santa Marina de Posterula, a small, dilapidated church offered as a sanctuary. The Croatian community, known then as Illyrians or Schiavoni, rallied around their faith and their patron saint, St. Jerome, a Dalmatian scholar who translated the Bible into Latin. Decades later, a Croatian ascended to the Papal throne as Sixtus V. Remembering his roots and feeling a kinship with these displaced people, he commissioned a complete reconstruction of the Chiesa di San Girolamo dei Croati. Between 1588 and 1589, the church was reborn, a testament to Sixtus V’s generosity and the resilience of the Croatian spirit. He entrusted the project to Martino Longhi the Elder, a renowned architect who bestowed upon the church its elegant facade, adorned with travertine and papal emblems. Step inside and let the artistry of the late Renaissance wash over you. Look up to the dome, where Giovanni Guerra’s trompe l’oeil illusion transports you to a heavenly realm. The vibrant frescoes on the transept vaults, masterpieces by Andrea Lilio, narrate the story of St. Jerome, his life, and visions. The Chiesa di San Girolamo dei Croati, a church born from adversity, stands today as a testament to faith, resilience, and the enduring bond between a people and their heritage.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to