A church at the site of Chiesa di San Giovanni Nuovo was present by the 10th century. The Chiesa di San Giovanni Nuovo, also known as San Zan Novo, stands as a testament to Venice’s rich history. The church we see today was rebuilt in 1762. This followed designs by Matteo Lucchesi, the uncle of the renowned artist Piranesi. While Lucchesi envisioned a grand Palladian façade, it sadly remains unfinished to this day. Step inside the Chiesa di San Giovanni Nuovo, and you’ll find a single nave adorned with majestic Corinthian columns. The interior, though smaller than churches like the Redentore, exudes a unique charm. Two lateral chapels flank the nave, each whispering tales of centuries past. At the heart of the church lies the main altar. It features a captivating canvas by Francesco Maggiotto, depicting the martyrdom of St. John the Evangelist. Flanking this masterpiece are two smaller works by Fabio Canal: the Sacrifice of Abraham and the Sacrifice of Melchisedech. Look closely, and you’ll discover a poignant piece from the 14th century housed in the second lateral chapel: a polychrome wood crucifix, a testament to the enduring power of faith. As you exit the Chiesa di San Giovanni Nuovo, take note of the bell tower. It stands as a silent sentinel, a vestige of the original church that once graced this sacred ground.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to