Envision a time, centuries ago, when the very ground we stand on pulsed with the nascent energy of Shōfuku-ji. This serene Buddhist temple, nestled in Higashimurayama, Tokyo, holds within its wooden bones a story that stretches back to 1270, during the Kamakura period. Shōfuku-ji’s heart and soul reside in its Jizō Hall. This isn’t just any temple hall. It’s a National Treasure of Japan, the oldest intact building in Tokyo Prefecture, and a captivating echo of Kamakura period architecture. Legend whispers of a hunting expedition gone awry. Regent Hōjō Tokiyori, stricken by illness, found solace and healing in the care of a local priest. Grateful for his restored health, Tokiyori commissioned the construction of the Jizō Hall in 1278, bringing in skilled builders from Kamakura itself. However, historical records place Tokiyori’s death in 1263, casting a gentle shadow of doubt over this origin story. Perhaps the temple’s construction truly blossomed under Tokiyori’s son, Hōjō Tokimune, who led Japan through the tumultuous Mongol invasions. Shōfuku-ji’s Jizō Hall, as we see it today, was rebuilt in 1407. This date, discovered during repairs in 1933, is etched in India ink within the hall itself. The inscription also confirms the hall’s enduring dedication to Jizō Bodhisattva. Shōfuku-ji’s Jizō Hall isn’t merely old; it’s an architectural marvel. Its seemingly two-story exterior, with dramatically upturned eaves, conceals a single, spacious interior, a design known as Zenshūyō. The lower roof, called a mokoshi, creates this illusion, similar to the Shariden of Enkaku-ji in Kamakura. Notice the copper covering on Shōfuku-ji’s mokoshi, a testament to meticulous preservation. Step back and admire the curved hip roof, a feature made possible by innovative building techniques of the Kamakura era. Japanese cypress, known for its elasticity, steel support chisels, decorative yet functional brackets, and cantilevers all contribute to the hall’s seemingly weightless grace, its ability to withstand earthquakes, and its enduring beauty. The roof, now shingled with thin boards fixed by bamboo nails, or “Kokerabuki,” was originally thatched. The current shingling, restored during the 1933 repairs, mirrors the original construction and can also be seen at Katsura Imperial Villa and Kinkaku-ji. Shōfuku-ji remains a place of healing, much as it was centuries ago when it offered solace to a stricken regent. Locals believe that the wooden dolls outside the hall possess curative powers. When illness strikes, a doll is taken to the afflicted person’s home. Upon recovery, both the original doll and a new companion are returned to the temple, a symbol of gratitude and renewed health.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to