Gazing up at the striking curves of the Edifício Cicero Prado, one might think of waves or perhaps a ribbon caught in the wind. This building, right here on Avenida Rio Branco, isn’t your typical São Paulo skyscraper. Edifício Cicero Prado, also known as Condomínio Albertina, Cícero Prado e Cecília, is a testament to the vision of architect Gregori Warchavchik. Commissioned by the Companhia Agrícola Cícero Prado and completed in 1954, Edifício Cicero Prado stands as a unique blend of architectural styles. While Warchavchik is considered a pioneer of modernism in Brazil, this building incorporates sculptural curves reminiscent of German Expressionism. This deviates from the clean lines typically associated with modernist design. This makes Edifício Cicero Prado a fascinating study in architectural history. The building consists of three blocks, housing apartments ranging from 90 to 160 square meters. Ten elevators serve the complex, a sign of its modern amenities for the time. Imagine living here in the 1950s, enjoying the spacious layouts and innovative design. Edifício Cicero Prado was part of Warchavchik’s more commercial period. During this time he designed factories, synagogues, and even clubs like the Pinheiros. The building’s U-shape allows the morning sun to bathe the front facades. Residents, like Eliana Castro who has lived on the first floor for 35 years, enjoy the feeling of living in a well-ventilated house with a garden within reach. This refers to the suspended garden above the bank branch located at the base of the building. The Edifício Cicero Prado remains a landmark in the Campos Elíseos district. It has witnessed the area’s fluctuating fortunes over the decades. From the promising beginnings in the mid-20th century to a period of decline, and now a resurgence with new developments, Edifício Cicero Prado offers a unique perspective on São Paulo’s urban history.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to