Overlooking the shimmering expanse of Victoria Harbour, A Kung Ngam Shan stands as a silent testament to Hong Kong’s vibrant past. A Kung Ngam, meaning “Grandfather’s Rock,” takes its name from the revered sea deity Tam Kung, protector of the quarry workers who once toiled upon its slopes. Imagine these hardworking men, hammers ringing against the stone, carving out a livelihood from the very heart of this peak. A Kung Ngam Shan wasn’t always a tranquil viewpoint. In the 19th century, it echoed with the clang of hammers and the shouts of Hakka stonemasons, immigrants from Changle County in Guangdong. These skilled craftsmen extracted granite, shaping the very foundations of early Hong Kong. They even used the local granite to build their own homes in A Kung Ngam Village, including the historic “Wong On Kee.” One notable figure among these masons was Tsang Koon-Man, whose quarry supplied stone for the burgeoning Victoria City. His success allowed him to build “Tsang Tai Uk,” a walled village in Sha Tin, now recognized as a Grade I historic building. The Hakka community at A Kung Ngam Shan also brought their spiritual beliefs. They established the only “Temple of Emperor of Jade” in Hong Kong, honoring their heritage and seeking the protection of their gods amidst the challenging work. The area’s connection to the sea extended beyond the deity Tam Kung. A Kung Ngam Shipyards, once a bustling port for exporting stone, became a typhoon shelter and a hub for dragon boat races during the Dragon Boat Festival. The shipyards even crafted the magnificent dragon boats themselves. Sadly, reclamation projects have altered the coastline, reducing the shipyard’s activity. However, A Kung Ngam Shan remains, a steadfast reminder of the industry and faith that shaped this corner of Hong Kong. Stand here today, and feel the echoes of those bygone times.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to