Could a church have two birthdays? Sankt Hubertus in Aach can. The heart of Sankt Hubertus, its nave, was born in 1783. It arrived during the era of classicism, a time of clean lines and simple elegance. But as the 19th century marched on, the congregation outgrew its original home. Sankt Hubertus needed more space. So, in 1895, it received a magnificent gift: a transept and a new choir. These additions, designed by Trier architect Eberhard Lamberty, sported the intricate details of the neo-Gothic style. This created a fascinating blend of architectural styles at Sankt Hubertus. The church effectively has two birthdays, showcasing two distinct periods of architectural design. Inside Sankt Hubertus, more treasures await. A triumphal cross from the 16th century holds a place of honor. The baroque choir stalls and high altar, dating back to 1720, exude opulence. A pulpit from 1619 stands ready to share centuries of sermons. Various figures from the 19th century add to the rich tapestry of history within the church. Even the windows have a story to tell. They were crafted by the Trier firm Kaschenbach in 1956, casting colorful light onto the historic artifacts within. Sadly, the original church bell tower met a tragic end. It was destroyed by shelling in late 1944. A temporary wooden structure held the bells until 1962 when the current freestanding bell tower was erected. This newer tower stands separate from the main church building, a quiet testament to the resilience of Sankt Hubertus. Sankt Hubertus wasn’t the first church in Aach. An older church, dedicated to St. John the Baptist, once stood northeast of the village in an area still known as “Auf dem Kirchberg” (“On the Church Hill”). But now, only the name remains, a whisper of the past echoing around Sankt Hubertus.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to