“Lost,” a weathered fisherman muttered, shaking his head at the sprawling Seto Inland Sea. “The Kono clan’s grip, tighter than a ship’s knot.” We stand before Zen-noh-ji, perched high on Mount Takanawa’s foothills. This Zen Buddhist temple overlooks the very waters the Kono clan once commanded. Imagine them, pirates turned coast guards, their eyes scanning the horizon for passing ships. Their mark still graces Zen-noh-ji, a silent testament to their reign. Zen-noh-ji itself boasts two striking halls. One gleams with a green copper roof. The other shelters under a vast expanse of weathered tiles. Inside the copper-roofed hall, a collection of statues awaits. Some fantastical, like Buddhas mounted on a lion and an elephant. Others naturalistic, faces mirroring those you might see in Tokyo today. It’s a rare sight, this blend of styles and open display. The garden at Zen-noh-ji is a pocket of tranquility. Stone features and trees create a scene that shifts with the seasons. In autumn, the sweet fragrance of kinmokusei bushes fills the air. Spring brings a flurry of cherry blossoms, transforming the temple’s green roof into a floating island of pink. Even a frisky sheepdog named Zen adds to the charm. Zen-noh-ji also holds a unique ossuary, an octagonal structure with tiles from Kyoto. Its shape echoes in the pillars, a modern addition to this ancient site. Combining a visit to Zen-noh-ji with a hike up Fufuyama, the husband and wife mountains, is recommended. The view from there is said to be breathtaking. The priest of Zen-noh-ji once shared an anecdote with a visitor about the lack of zazen sessions. Apparently, the locals complained of leg pain. “Of course your legs hurt,” he exclaimed, “it’s zazen!”. Zen-noh-ji is more than just a temple. It is a blend of history, nature, and spiritual reflection. A place where the echoes of pirates mingle with the scent of blossoms.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to