Johann Georg Oegg, a name whispered with reverence in the world of wrought iron, is immortalized here at the Oegg-Denkmal. Born in the Tyrolean village of Silz in 1703, Oegg’s journey brought him to Würzburg, a city he would forever mark with his artistry. The Oegg-Denkmal, unveiled in 1952, stands proudly near the Hofgarten gate, a bronze testament to the master smith. Sculpted by Julius Bausenwein, the statue captures Oegg in his element. He wears his typical work attire, apron and all, clutching a scroll bearing his gate designs. This very spot, near the north entrance to the Hofgarten, is close to the magnificent Oeggtor, his most famous creation. The Oeggtor, an intricately forged archway, frames the Rennweg, a narrow, one-lane road. The gate, with its main passage and two pedestrian gates, acts as a grand separation. It divides the bustling city from the serene gardens of the Residenz and the Rosenbachpalais. This gate was never meant to be closed, unlike other gates Oegg crafted for the Residenz, its purpose was to invite, not to restrict. The Oegg-Denkmal reflects this open spirit. It invites you to consider the man who shaped metal into art, whose legacy lives on in the delicate curves and powerful lines of his creations. Oegg’s touch extended beyond the Oeggtor. He also crafted the gates to the Hofgarten. One, the Greiffenclautor, graces the north entrance, the other welcomes visitors to the south garden from the Balthasar-Neumann-Promenade. Even the decorative grilles at the north and south ends of Residenzplatz bear his signature. As you admire the Oegg-Denkmal, remember the man, the artist, the “King of Smiths,” who left an indelible mark on Würzburg.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to