Lost in the grandeur of Vienna’s Ringstrasse, stands Palais Ephrussi, a silent witness to a turbulent past. Palais Ephrussi isn’t just another opulent structure. It’s a time capsule, holding within its walls the echoes of a prominent Jewish family, the Ephrussis. Their story, as detailed in Edmund de Waal’s “The Hare with Amber Eyes,” intertwines with the very fabric of this palace. Imagine the year 1856. Charles Joachim Ephrussi, a grain magnate from Odessa, arrives in Vienna, establishing a dynasty that would soon shape the city’s financial landscape. His son, Ignaz, founded Ephrussi & Co., a banking house that extended its reach across Europe. Palais Ephrussi, designed by the renowned architect of the Parliament Building, Theophil von Hansen, became a symbol of their burgeoning influence. The palace, with its neo-Renaissance facade, stood proudly on the Ringstrasse, a testament to their prosperity. But this prosperity wouldn’t last. The year 1938 brought the Anschluss, and with it, the dark shadow of Nazi oppression. Viktor Ephrussi, then head of the family, was forced to make an impossible choice: surrender Palais Ephrussi and its treasures or face Dachau. He relinquished everything, his family scattered, their world shattered. During the war, Palais Ephrussi served as the headquarters for Nazi ideologue Alfred Rosenberg. After the war, the palace, heavily damaged, housed the American Legal Council Property Control. The Ephrussis eventually regained ownership but, burdened by painful memories, sold the building. It later became the headquarters of Casinos Austria. Today, a plaque on Palais Ephrussi serves as a stark reminder of the family’s expulsion. While the grandeur remains, a sense of melancholy permeates the air. The palace stands as a testament to a family’s triumphs and tribulations, forever etched in the heart of Vienna. The story of Palais Ephrussi is a poignant reminder of the fragility of fortune and the enduring power of memory.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to