“Der Vater weist dem Kind den Weg” what does this mean? It translates to “The Father Shows the Way to His Child”. This sculpture by Hubert Schmalix resides in Geymüllerschlössel’s park.
Let’s delve into the story of this artwork. It was erected in 1997. Peter Noever commissioned Hubert Schmalix to create it. The sculpture features a larger-than-life father guiding his daughter. He holds her hand.
The artwork includes an elevated concrete path. This path leads to and from the figures. They stand on a massive pedestal.
During the creation process, drawings, watercolors, and photographs documented the work. These were exhibited in Geymüllerschlössel. Christian Witt-Döring curated the exhibition. Michael Embacher handled the technical coordination. Kunsthandel Horst P. Wichmann produced the sculpture. Ferro-Betonit was the executing firm. Rupert Steiner provided documentation.
The Geymüllerschlössel itself adds to the sculpture’s context. It serves as a MAK branch. The park combines nature, art, and history. Contemporary sculptures enhance the setting.
Before becoming a museum, the Geymüllerschlössel had a rich history. Johann Jakob Geymüller, a Viennese merchant, built it after 1808. It was his summer residence. The building showcases Gothic, Indian, and Arabian architectural elements. The architect remains unknown.
Textile industrialist Isidor Mautner purchased the estate in 1888. The heirs of Isidor Mautner lost their citizenship in 1938. They were forced to flee Nazi persecution. Germany’s Reichsbank seized the building in 1944.
After World War II, the Austrian National Bank gained ownership. They then sold it to the Republic of Austria in 1948. Franz Sobek provided the funds. In return, he had lifelong residency rights. He also oversaw renovations. The Republic of Austria bought out Sobek’s rights in 1965. The Geymüllerschlössel became part of the MAK.
Inside, the museum houses Dr. Franz Sobek’s collection. It features 160 old Viennese clocks. These clocks date from 1760 to the late 19th century. Empire and Biedermeier furniture complement the clocks.
Renovations in the 1980s restored the facade. The interior paintwork was returned to its original state. The rooms display clocks and furniture. Visitors get a sense of a wealthy summer residence. Textile decorations and furniture upholstery received careful attention. The Geymüllerschlössel offers an authentic look into Biedermeier interior design.
“Der Vater weist dem Kind den Weg” invites reflection. It encourages us to consider guidance, history, and art’s role. The sculpture interacts with its environment. It enriches the Geymüllerschlössel experience.