“Michelangelo in São Paulo?” a child’s voice chirped. “How did that happen?” We’re standing before Fonte Milão, a surprising echo of Renaissance Florence nestled in São Paulo’s vibrant Moema district. Fonte Milão isn’t an original Michelangelo, but it’s a captivating tribute nonetheless. The fountain, with its cascading water and imposing sculptures, was a gift from Milan to São Paulo in 1962, commemorating their status as “twin cities.” The statues, “Night,” “Day,” “Dusk,” and “Dawn,” are larger-than-life replicas of Michelangelo’s Medici Chapel sculptures in Florence. Look closely. These figures, originally intended for tombs, represent the eternal cycle of time. “Day” and “Dusk,” muscular male figures, flank the city crests of Milan and São Paulo. “Night” and “Dawn,” their female counterparts, stand slightly forward, smaller yet equally compelling. Interestingly, the arrangement here at Fonte Milão differs from Michelangelo’s original design. In the Medici Chapel, “Day” and “Night” are paired above one tomb, while “Dusk” and “Dawn” grace another. Fonte Milão’s creation involved the Liceu de Artes e Ofícios de São Paulo, who meticulously crafted the replicas. However, the sculptures weren’t installed until 1971, nine years after the fountain’s inauguration. A touch of local modesty led to the addition of fig leaves to the male figures, a detail absent in Michelangelo’s originals. Over the years, Fonte Milão has faced challenges, from neglect to vandalism. But thanks to dedicated restoration efforts, first in 1988 and again in 2004 with support from Milan, it has been revitalized. The 2004 restoration, overseen by architect Olympio Augusto Ribeiro, involved a complete overhaul of the hydraulic system, landscaping, and lighting, restoring the fountain to its former glory. So, as you admire Fonte Milão, remember, it’s more than just a fountain. It’s a testament to international friendship, a tribute to artistic genius, and a touch of Renaissance Italy in the heart of São Paulo.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to