Is it a giant’s playing piece, forgotten in some ancient game? This imposing, white-painted stone, known as Vita sten, is no plaything. It’s a steadfast sentinel from a time when Stockholm’s boundaries were defined by nature, not city blocks. Vita sten stands nearly two meters tall, a silent testament to Stockholm’s past. This natural boulder, likely carried here by glacial movements during the Ice Age, once marked the meeting point of three grand estates: Enskede gård, Hammarby gård, and Skarpnäck’s gård. Imagine farmers from each estate, their lives intertwined with the land, gathering here to discuss matters of shared importance. While its exact origins as a boundary marker remain shrouded in time, we know Vita sten’s importance wasn’t lost on early cartographers. A map from 1729, meticulously detailing Stora and Lilla Enskede’s lands, clearly marks our stone giant as “Stora Stenen i Kiärr Laggen”. And in meticulous land surveys of Hammarby gård’s territories conducted between 1792-1793, our steadfast stone is designated as “Hwita sten” – white stone – indicating its long tradition as a painted landmark. Even today, as modern Stockholm has enveloped these once distinct estates, Vita sten still whispers those old boundaries. It stands as a reminder that beneath the bustling city, echoes of a rural past still linger.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to