Hidden within Stuttgart’s Vaihingen district lies Friedhof Rohr, a small yet significant cemetery. It’s a place where history whispers from weathered stones and where the stories of Rohr’s past intertwine with the tranquility of nature. Friedhof Rohr was established around 1900. Today, it covers just 0.7 hectares, a small space holding roughly 700 gravesites. These gravesites are organized into sections numbered 1 through 10. While most of the graves date from the last three decades, a few older monuments offer glimpses into the cemetery’s earlier days. Near the entrance on Schönbuchstrasse, two weathered tombstones stand as silent sentinels. One belongs to Karl Reess, a royal forester who passed away in 1912. The other marks the resting place of Ernst Widmann, a music director. Their presence reminds us of the lives lived and lost within this community. Another intriguing grave features a man-high boulder as a headstone, its inscriptions now lost to time. The mystery of who rests beneath adds a layer of intrigue to Friedhof Rohr’s serene landscape. The cemetery’s mortuary chapel, a one-story building with a high, shingled hipped roof, offers a quiet space for reflection. Nearby, a half-circle of benches invites visitors to rest beneath the shade of towering trees. The chapel’s entrance, accessible from Kopernikusstrasse, leads to a covered area where a poignant high-relief sculpture adorns the wall. It depicts a protective angel, wings outstretched, offering comfort to a grieving woman. This touching artwork speaks volumes about the solace that Friedhof Rohr provides. Two memorials within the cemetery commemorate the devastating impact of war on the community of Rohr. One, dedicated to the 57 men lost in World War I, features a poignant sculpture by Stuttgart artist Hermann Jung. It portrays a dying soldier, comforted by a grieving woman, a stark reminder of the war’s devastating toll. Originally located in the courtyard of the nearby Laurentiuskirche, the memorial was later moved to Friedhof Rohr. The second memorial, a simple high cross designed by Erich Fritz in 1956, honors the 148 lives lost in World War II. Both memorials, unfortunately, show the effects of time and weather, a poignant symbol of how memories can fade. Yet, the efforts of citizens like Herbert Steimle, who advocated for adding bronze steles with the names of the fallen, underscore the importance of preserving these stories for future generations. Friedhof Rohr is more than just a cemetery. It’s a quiet sanctuary, a testament to the lives lived within the Rohr community, and a place where history and tranquility intertwine.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to