Gaze up. The bronze curves of this sculpture are a monument to a moment in time. Can you see the young woman, her arms outstretched, almost ready to take flight? This is the “Mädchen mit erhobenen Armen”, the masterpiece of Swiss sculptor Hermann Haller. It stands tall on the Landiwiese, a park in Zürich. It’s a reminder of the Swiss National Exhibition, a celebration held in 1939, which marked a turning point in the city’s cultural landscape. Haller got the chance to showcase his work during the exhibition. He’d gained recognition for his art earlier in his career and received an honorary doctorate from the University of Zürich in 1933. This young woman, her naked form sculpted with meticulous detail, became a symbol of the era, as much a representation of the art of the time as it is a tribute to the resilience of the Swiss people during those turbulent years. You can almost feel the optimism that Haller captured in the sculpture. It reflects the era of change that was sweeping through Switzerland. With the world on the brink of war, Haller’s “Mädchen mit erhobenen Armen” stands as a testament to hope. Take a moment and imagine the city of Zürich in 1939, the Landiwiese bustling with the excitement of the exhibition, the aroma of street food wafting through the air, and the laughter and conversation echoing from the crowds. The sculpture invites you to think about the past, and the future. Can you feel its enduring spirit?
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to