Famnen

Gazing upon Famnen, one might wonder about its unusual name. Famnen, meaning “the embrace” in Swedish, perfectly captures the spirit of this unique structure in Bromma, Stockholm. Built between 1984 and 1986, Famnen isn’t just a church. It’s a community center, a place designed to embrace its congregation and the surrounding neighborhood of Åkeslund. Architect Lars Olof Torstensson envisioned a building that blended seamlessly with the landscape. He chose a striking combination of rose-colored brick and a sloping copper roof, creating a visual that is both modern and inviting. Nestled near Brommaplan, Famnen’s location makes it easily accessible to the community it serves. The church’s interior continues the theme of embrace. Warm, red limestone floors and matching brick walls create a sense of intimacy. The heart of Famnen, the kyrkorum, is oriented north-south, with the altar located to the north. Natural light streams in, illuminating the unique art pieces that adorn the space. Look closely at the dopnisch, or baptistery. You’ll find the “Apokalyptiska madonnan,” a stunning glass painting by Jochum Poensgin. On the opposite wall, near the choir, hangs Pär Andersson’s “Emmaus.” Both pieces add to the spiritual atmosphere of Famnen. Behind the altar, a green tapestry by Elisabet Hesselberg-Olsson, known for her work in the Swedish Parliament, adds a touch of elegance. Originally, the space held a triptych by Birger Mörk from the former Riksbykyrkan. These artistic additions highlight Famnen’s dedication to both faith and artistic expression. Sadly, Famnen held its last service in June 2022. The church’s operations moved to Ängbykyrkan, leaving the building empty and awaiting demolition. The name “Famnen” also refers to the old Swedish unit of measurement, a “fathom.” This historical reference reminds us that while the physical building may disappear, the community and the memories it held will continue to embrace those who experienced its warmth.