Wealth and Contentment Sculpture

Did Ng Eng Teng ever imagine his sculptures would become so iconic? Here at the National University of Singapore, we stand before his “Wealth and Contentment.” These monumental female forms once graced the old Plaza Singapura. They captivated shoppers, sometimes even frightening children with their imposing size. Originally installed in the 1970s, “Wealth” depicts a gilded woman lying serenely, hands resting on her stomach. “Contentment,” equally striking, appears to glide forward. In 1997, during Plaza Singapura’s renovation, these sculptures were donated to NUS. They now reside on a grassy area near the University Cultural Centre. Their journey reflects the sometimes erratic handling of public art in Singapore. Ng Eng Teng, known as the “Grandfather of Singapore Sculpture,” had a remarkable artistic journey. He studied at the Nanyang Academy of Fine Arts, where Georgette Chen encouraged him to pursue sculpture. Ng’s works often feature the human form, sometimes contorted, reflecting his struggles with illness. He was fascinated by the body’s ability to express emotion and vulnerability. His work sometimes incorporates phallic shapes and a playful energy. He hinted at deeper meanings, referring to “the difficulty of getting out of being what you are.” This suggests an exploration of identity and perhaps a veiled reference to his own experiences. “Wealth and Contentment,” with their smooth, rounded forms, invite contemplation. They stand as a testament to Ng’s artistic vision and his lasting impact on Singapore’s urban landscape. They remind us of the power of art to provoke thought and inspire dialogue.