Gazing across the serene expanse of the Grossteich, with Moritzburg Castle at your back, your eyes are drawn to a picturesque sight. It is the Fasanenschlösschen, and nestled before it, the Venus Brunnen. The Venus Brunnen is more than just a fountain. It is a centerpiece, perfectly aligned in the sightline between the castle and the Fasanenschlösschen. Imagine a grand canal stretching from the Venus Brunnen. This canal flows towards a point known as the “Dardanellen,” where it rejoins the upper Grossteich. Perhaps, it was once intended to connect the two bodies of water, a watery embrace between the castle and the Fasanenschlösschen. But alas, the different water levels make this dream a whisper of what might have been. The Venus Brunnen itself is a tableau of mythological grace. A large basin cradles the figures of Venus and Cupid, perched upon a rocky outcrop, surrounded by elegant swans. At the base of this artificial rock formation, a dolphin playfully spouts water into the basin. This scene of idyllic beauty was likely brought to life around 1772 by the artist Carl Friedrich Schäfer. He worked under the patronage of Elector Friedrich August III, a descendant of the renowned Augustus the Strong, and Count Marcolini. Sadly, time and the elements have taken their toll on the Venus Brunnen. The fountain no longer flows. The figures, once vibrant, now bear the marks of damage and await the touch of restoration. But even in its current state, the Venus Brunnen holds a certain charm. It whispers stories of a bygone era, of grand designs and artistic visions. It invites you to imagine the scene in its prime, with water cascading around the figures, a testament to the beauty and grandeur of the Moritzburg landscape.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to