Nestled within the vibrant heart of Trafalgar Square, The Fourth Plinth stands as a testament to artistic expression and political commentary. Unlike its counterparts adorned with statues of kings and military figures, The Fourth Plinth embraces contemporary art. It serves as a stage for rotating exhibitions, sparking conversations and challenging perspectives. Originally intended for an equestrian statue of William IV, lack of funds left it empty for over 150 years. This “empty space” became a canvas for artistic innovation. The idea to showcase contemporary art gained traction thanks to figures like Prue Leith and the late John Mortimer. Now, a committee selects thought-provoking works, each gracing the plinth for a couple of years. Artists receive £30,000, plus an installation budget of up to £140,000. In 2024, Teresa Margolles’ “850 Improntas” honored trans people with a tzompantli, a Mesoamerican skull rack. The Fourth Plinth’s history is filled with captivating installations. From Marc Quinn’s “Alison Lapper Pregnant” to Michael Rakowitz’s recreation of a destroyed Iraqi Lamassu, each piece has a unique story. The Fourth Plinth continues to evolve. Its future promises even more powerful and captivating artistic statements.
Southfields Methodist Church
Curiosity stirred within the heart of Southfields as a new chapter began. Southfields Methodist Church held its first public service