Székely Bertalan

Who was Székely Bertalan, the man honored by this memorial? Székely Bertalan, born in 1835, wasn’t just a name; he was a vibrant thread in the tapestry of Hungarian art. Here, in Budapest, where he spent his final years, we remember him not just as a painter, but as a master storyteller. Székely Bertalan’s canvases weren’t simply depictions of historical events. They were windows into the soul of Hungary, breathing life into moments that shaped the nation. He painted “The Women of Eger,” a testament to courage and resilience. His brushstrokes captured the drama of “The Discovery of the Body of King Louis II.” Székely Bertalan’s art wasn’t confined to museums. He adorned the Matthias Church, the Budapest Opera House, and the City Hall in Kecskemét with magnificent murals, weaving his artistry into the very fabric of the city. He began his artistic journey in Vienna, studying under the likes of Johann Nepomuk Geiger and Carl Rahl. He further honed his skills in Munich, under the tutelage of Karl von Piloty. It was there, amidst the vibrant art scene, that his passion for history painting ignited. He returned to Hungary, not just as a painter, but as an educator. He became one of the first teachers at the Hungarian Royal Drawing School, now the Hungarian University of Fine Arts. Székely Bertalan’s legacy isn’t just in the paint on canvas, but in the knowledge he imparted, shaping future generations of artists. He even delved into the scientific study of motion, inspired by the work of Muybridge and Marey. Székely Bertalan, a master of history and portraiture, left an indelible mark on Hungarian art. As you stand before this memorial, remember him. Remember his dedication to his craft and his profound contribution to Hungary’s artistic heritage.