Nestled within the vibrant heart of Istanbul, the SÜmbül Efendi Camii whispers tales of transformation and resilience. This mosque, once the Hosios Andreas Monastery, stands as a testament to the city’s rich, layered history. Imagine stepping back to 1284. The Byzantine Emperor Michael VIII’s daughter-in-law, Theodora, commissions the construction of the Hosios Andreos Church within the monastery walls. The church thrived as a spiritual center. But after the Ottoman conquest of Constantinople in 1453, the church fell into disrepair. The SÜmbül Efendi Camii’s story takes a dramatic turn in 1489. Grand Vizier Koca Mustafa Pasha, under Sultan Bayezid II, transformed the dilapidated church into a mosque. He added a madrasa, a han, an imaret, a hamam, and a çeşme, creating a vibrant külliye. The mosque’s architecture reflects this blend of Byzantine and Ottoman influences. The original structure retains hints of its Byzantine past, but Ottoman additions tell a new story. A central dome, supported by two half-domes, rises above. The exterior walls showcase classic Turkish masonry. The former western entrance of the church was closed. Two new entrances were opened on the north side, leading to the son cemaat yeri, a covered area for latecomers to prayer. A striking minaret replaced the old western entrance. Its octagonal base connects to the mosque, and its form is adorned with stalactite capitals and pointed arched panels. This minaret holds a unique distinction: it’s believed to be the first minaret in Ottoman history where lamps were lit. Two inscriptions flank the north entrances. The right inscription, dating back to 1489, is the work of Şeyhülislam Efdal Zade Seyyid Hamidüddin. The left inscription is attributed to İdris-i Bitlisi, the historian and treasurer of Bayezid II. The SÜmbül Efendi Camii continued to evolve. In 1617, Ekmekçi Zade Ahmet Pasha added a section to the right side of the mosque. This section eventually became the women’s prayer area. Şeyhülislam Veliyüddin Efendi later constructed the mosque’s current son cemaat yeri, crowned with five domes. He also built a muvakkithane (timekeeper’s room) and a türbe, where his daughter Safiyye Hanım is buried. Today, the SÜmbül Efendi Camii stands as a captivating blend of Byzantine and Ottoman heritage. It serves as a vibrant center of worship, drawing hundreds of worshippers for daily and Friday prayers.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to