Carved from Rochlitz Porphyry tuff, the Sühnekreuz in Leipzig-Holzhausen stands as a silent witness. This weathered cross whispers tales of centuries past. The Sühnekreuz is more than just a stone. It’s a tangible piece of Leipzig’s history, one of the oldest cultural monuments in the city. The Sühnekreuz isn’t pristine. Time and the elements have left their mark. The cross, approximately 68 cm high, 45 cm wide, and 28 cm deep, bears visible damage. Its side arms are mere remnants of their former selves. To preserve it, the Sühnekreuz rests securely on a modern porphyry pedestal. This base displays a bronze plaque, proclaiming “Sühnekreuz aus dem Jahr 1524” (Penance Cross from the year 1524). The Sühnekreuz hasn’t always stood here. Its journey through time reflects the changing landscape of Holzhausen. Before 1950, it resided within the Holzhausen railway station grounds, nestled against the wall of the stable buildings along Stötteritzer Landstraße. Demolition work around 1950 led to its temporary removal. It was later reinstated near its original location in 1954. Its final move occurred in the winter of 2008/2009 when it found its current home beside the west entrance of the Holzhausen Church on Hauptstraße. The origins of the Sühnekreuz are shrouded in mystery. Two possible incidents might connect to this enigmatic stone. In 1486, a manslaughter case between Holzhausen residents Jacoff Melckaw and Anthonius Wittich resulted in Melckaw being ordered to erect a stone cross. Another incident occurred in 1524, when farmer Brixius Hertel was killed by four men. Local chronicles mention the erection of a stone penance cross following this tragic event. Whether the Sühnekreuz we see today is tied to either of these events remains unknown. Its true purpose may be lost to time. However, the Sühnekreuz stands as a testament to the rich and sometimes turbulent history of Leipzig-Holzhausen. It serves as a reminder of lives lost and the enduring power of remembrance.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to