St Mary Abchurch

Gazing upwards at St Mary Abchurch, did you notice the plain red brick exterior? It’s a deliberate contrast, a clever disguise for the treasures within. St Mary Abchurch sits quietly on Abchurch Lane, a modest lane connecting the bustling Cannon Street and King William Street. Don’t let its unassuming presence fool you. This church, first documented in 1198, holds centuries of history and a story waiting to be unveiled. The name “Abchurch” itself is shrouded in mystery. Some believe it’s a corruption of “Upchurch”, indicating its elevated position from St Mary Overies across the river. Others suggest it honors a forgotten benefactor named Abbe. The truth remains elusive, adding to the church’s mystique. After the Reformation, St Mary Abchurch was granted to Corpus Christi College, Cambridge, by Elizabeth I at the urging of Archbishop Parker. The college continues to appoint the church’s incumbent to this day. Step inside St Mary Abchurch, and you’ll be greeted by a symphony of wood. The interior is a testament to the artistry of Wren’s era, largely untouched and preserved as he envisioned it. The pulpit, carved by William Grey, stands proudly. William Emmett’s handiwork graces the door cases, the Royal Arms, and the font cover. Look closely, and you’ll find the symbol of the pelican feeding her young, a motif appearing on the weathervane (now above the north door) and the reredos. It’s a symbol of Christ’s sacrifice and a nod to Corpus Christi College. The reredos, a masterpiece by Grinling Gibbons, demands your attention. It’s his largest surviving work, a breathtaking display of carved fruit and flowers, topped with gilded urns. A similar motif adorns the pulpit, fitting as St Mary Abchurch now serves as the Guild Church for the Fruiterers’ Company. Now, lift your gaze to the dome, an architectural marvel hidden from the outside world. Wren’s ingenuity is evident in its construction, supported by four walls without buttresses. The dome’s painting, depicting the worship of heaven, was executed in 1708 by William Snow. Even the scars of history add to St Mary Abchurch’s story. A bomb in 1940 shattered the dome and Gibbons’ reredos. Painstaking restoration brought them back to their former glory. The dome was repainted by Walter Hoyle, and the reredos, broken into 2000 pieces, was meticulously pieced back together. St Mary Abchurch is a hidden gem, a testament to resilience and artistry. Its intimate space, rich with detail, offers a glimpse into London’s past and the enduring power of beauty.