What whispers on the wind, frozen in concrete and enamel? Here at the Spinieu Installation, created by the artistic trio of Martin Frommelt, Hanny Frick, and Florin Frick, we unravel a tale woven not in royal decrees or alpine echoes, but in the very fabric of Liechtenstein’s identity. Spinieu itself, a intriguing word, invites us to ponder its meaning, a puzzle piece reflecting the multifaceted nature of this small nation. The installation stands as a testament to Liechtenstein’s embrace of contemporary art, a counterpoint to its medieval castles and alpine landscapes. While Liechtenstein’s history books speak of princes and parliaments, Spinieu offers a different narrative. It speaks of artistic expression, of the interplay between material and concept. The artists, Frommelt, Frick, and Frick, have chosen concrete and enamel, materials that speak of both permanence and fragility, mirroring perhaps the delicate balance of a microstate navigating the global stage. Spinieu, rooted in the earth yet reaching towards the sky, embodies the spirit of Liechtenstein. A small nation making a bold statement. It is a quiet conversation between artist and observer, between the land and its people, a conversation that continues to unfold here at the Spinieu Installation.
Hauptfriedhof
Lost in time stands the Hauptfriedhof Trier. A tranquil expanse in the bustling city it’s more than just a cemetery.