From its position near the Porta Latina, a gate in the Aurelian Wall, the Basilica of Saint John at the Latin Gate has borne silent witness to the ebb and flow of Roman history. The very name, Saint John at the Latin Gate, evokes a tangible connection to ancient times. The basilica’s origins are believed to date back to the 5th century, during the reign of Pope Gelasius I. The proof? Some of the original roof tiles bear the tax stamp of Theodoric the Great, the Ostrogoth king who ruled Italy at the time. One of these tiles, imbued with centuries of history, now serves as the basilica’s lectern. The Saint John at the Latin Gate wasn’t always as you see it today. Over the centuries, it underwent several restorations, each leaving its mark on the structure. Pope Adrian I oversaw major restorations in the 8th century. Later, a bell tower and portico were added, enhancing the basilica’s architectural presence. Fast forward to the late 12th century, Pope Celestine III reconsecrated the basilica, marking another significant chapter in its long history. Walk into the Saint John at the Latin Gate, and you’re greeted by a captivating blend of architectural styles. The 16th and 17th centuries saw the addition of Baroque elements, a testament to the prevailing artistic trends of those eras. However, a restoration in the 1940s stripped away these Baroque additions. This restoration, undertaken by the Rosminian Fathers, sought to return the basilica to a simpler, more primitive aesthetic. This decision unveiled a hidden treasure: a cycle of medieval frescoes adorning the nave. The Saint John at the Latin Gate, with its captivating frescoes and echoes of a vibrant past, stands as a testament to the enduring power of faith and artistry.
Chiesa di Santa Maria in Monticelli
Is this heaven? Because standing before the Chiesa di Santa Maria in Monticelli, one might feel a touch of the