“A golden crown, you say?” The old woman chuckled, adjusting her spectacles. “Indeed. Atop the Sächsische Staatskanzlei. A symbol, you see.” We stand before the Sächsische Staatskanzlei, also known as the Saxon State Chancellery, a stately presence on the banks of the Elbe River in Dresden. Established in 1995, it serves as the office of Saxony’s Minister-President. But this building holds stories far older than the current Free State. Built between 1900 and 1904, it was originally the Gemeinsames Ministerialgebäude, the Joint Ministry Building. Its historicist style whispers of a grander era, a time when Saxony was a kingdom in the German Empire. That golden crown, gleaming against the sky, was a bold declaration of royal authority. Look closely. The inscription still reads “Königliches Ministerium des Inneren” – Royal Ministry of the Interior. Within these walls, the ministries of Interior, Justice, Culture, and Public Instruction once held sway. The Sächsische Staatskanzlei isn’t just a government office. It’s a time capsule. During the GDR era, it housed the Rat des Bezirkes, the district council, and briefly, the Dresden People’s Police. Renovations revealed a hidden layer of history. Construction alterations from the GDR period, like the west staircase converted into a plenary hall. And more. Eavesdropping devices, silent witnesses to a time of suspicion. Even the crown has a story. Removed after WWII, it was replaced in 1992, not with the original, but a replica. This sparked a local legend about Minister-President Kurt Biedenkopf retrieving the original from the attic, earning him the nickname “King Kurt”. Inside, the “Bienenstock-Zimmer”, the Beehive Room, stands out for its ornate beauty. Used for meetings and presentations, it offers a glimpse into the building’s opulent past. A more recent addition, the sculpture “Die Seherin” (The Seeress) by Polish artist Malgorzata Chodakowska, adds a touch of modern art to the historical setting. The Sächsische Staatskanzlei. A place where history whispers from the stones, where the echoes of kings and councils mingle with the work of a modern government. A golden crown, a silent witness to the passage of time. A reminder that even in the midst of change, the past leaves its indelible mark.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to