“These stairs” a woman muttered “they’re something else”. Welcome to the Rue de la Saïda in Paris’s 15th arrondissement. This unassuming street holds a fascinating history. It’s more than just a place to walk. It’s a microcosm of Parisian urban development.
The Rue de la Saïda wasn’t always a street. It began life as part of a military zone. In 1860 it was officially opened. It was then called Impasse de l’Harmonie. Later in 1867 it became Impasse de la Saïda. Its name refers to a military post near Oran in Algeria. Finally on September 5 1957 it got its current name Rue de la Saïda.
But what truly sets the Rue de la Saïda apart is its social housing. Numbers 5 to 19 house a remarkable complex. This was commissioned by the Fondation du Groupe des Maisons Ouvrières. It was designed to provide affordable and comfortable housing for working-class families. The architect Auguste Labussière completed the buildings in 1914. His designs emphasized air and light. The buildings feature airy courtyards and external staircases. These features are both functional and aesthetically striking.
These buildings aren’t just historical curiosities. They’ve also appeared in movies. The external staircases are featured prominently in the 1959 film Rue des prairies. In the film Jean Gabin’s character climbs them after returning from captivity in Germany. Parts of the buildings are also featured in the 2023 TV series Le Négociateur.
Author Léo Malet described these buildings in his novel Les Eaux troubles de Javel. He captured the somewhat austere nature of this social housing. Yet his words also highlight its importance for the community.
The Rue de la Saïda isn’t just a street. It’s a testament to the changing face of Paris. It’s a blend of military past and social innovation. It’s a place where history and modern life intertwine. The buildings stand as a reminder of a time when ambitious social projects sought to improve the lives of ordinary Parisians. Take a moment to appreciate the street’s unique blend of history and architecture. And remember the stories it silently tells.