Gazing up at the vibrant facade of Parroquia Jesús en el Huerto de los Olivos, can you imagine the scene over a century ago? On January 6th, 1897, this very spot buzzed with activity as the Parroquia Jesús en el Huerto de los Olivos first opened its doors. Distinguished figures like General Bartolomé Mitre and Bishop Monseñor Espinosa graced the occasion, marking a pivotal moment in the history of Olivos. The land itself was a generous gift from Hernán Wineberg, administrator of the Buenos Aires to Rosario Railway. This initial chapel eventually became the heart of the municipality, with Jesus in the Garden of Olives becoming its patron saint. The cornerstone of Parroquia Jesús en el Huerto de los Olivos was laid on March 31, 1895. President Mitre and Mrs. Wineberg acted as godparents to the budding church, symbolizing the community’s hopes and aspirations. Construction began in earnest the following year, under the watchful eye of architect Fernando Moog. Fast forward to 1939. The Parroquia Jesús en el Huerto de los Olivos was reborn. The current neo-Gothic structure, with its striking stained-glass windows and twin towers, rose to prominence. Notice the climbing plant that adorns the facade. Its leaves change color with the seasons, adding a touch of natural artistry to the grand architecture. Inside, the light filters through the vibrant stained glass, illuminating the sacred space. Although a mausoleum was intended for Vicente López y Planes, author of the Argentine National Anthem, his family chose to keep his remains at Recoleta Cemetery. This intriguing detail adds another layer to the rich tapestry of stories surrounding Parroquia Jesús en el Huerto de los Olivos.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to