Slipping through time’s corridors, we arrive in Parque Patricios. This Buenos Aires barrio whispers tales of transformation. Parque Patricios wasn’t always a park. It started as “Corrales Viejos,” “Barrio de las Ranas,” or “Barrio de las Latas.” These names, shared with Nueva Pompeya, hint at its humble beginnings. The area housed slaughterhouses in the early 19th century. The Corrales Viejos slaughterhouse opened in 1867. It drew workers and, with them, the vibrant, sometimes rough, culture of fondas (inns) and, let’s just say, “establishments of ill repute.” The tango, in its raw, passionate infancy, found a home here. The slaughterhouse operated until the early 20th century, eventually moving, but leaving its mark. Officially christened “Parque Patricios” in 1902, the area began a metamorphosis. The old slaughterhouse grounds transformed into a green space designed by Carlos Thays. This is the same landscape architect who shaped the iconic Bosques de Palermo and the Botanical Garden. The transformation continued. The infamous “Trencito de la Basura” (Trash Train) once chugged through here, carrying the city’s refuse to the incinerators. Those incinerators earned the area another nickname, “La Quema” (The Burn). The industrial heart of Parque Patricios also beat strong. Factories and warehouses hummed with activity, providing homes and livelihoods. The Casa Colectiva Valentín Alsina, a public housing project, stands as a testament to this era. Even today, you can see the echoes of this industrial past in the architecture. Parque Patricios also holds hidden gems. The home where Tomás Espora, a naval hero and the first Argentine officer to circumnavigate the globe, once resided. The house of Dr. Genaro Giacobini, the inventor of the white school coat. Even a connection to General San Martín, whose wife died in a house that once stood at the intersection of what are now Monasterio and Caseros streets. Today, Parque Patricios continues to evolve. The arrival of the Line H subway station in 2011 brought new life and commerce. The district is transforming again, embracing technology and innovation. The ghosts of slaughterhouses and trash trains linger. But the vibrant spirit of Parque Patricios, forged in labor and reinvented through green spaces and technology, continues to thrive.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to