Gazing at Paroisse Sainte-Bernadette, can you sense the echoes of its rather recent past? This unassuming brick chapel, nestled on 4 Rue d’Auteuil in the 16th arrondissement, holds a unique blend of modern architectural ingenuity and profound spiritual significance. Paroisse Sainte-Bernadette is more than just a place of worship. It is a testament to the enduring faith of the Portuguese and Filipino communities that call this corner of Paris home. Built in the 1930s by architect Paul Hulot, Paroisse Sainte-Bernadette opened its doors to worshippers in November 1937. The first stone, laid just a year prior, marked the beginning of a sanctuary that would become a spiritual anchor for generations. Notice the striking brick facade, a warm Bourgogne hue contrasting beautifully with the concrete framework. Though called a chapel, Paroisse Sainte-Bernadette boasts the impressive dimensions of a full-fledged church. Step inside, and the unique architecture of Paroisse Sainte-Bernadette unfolds. The nave, reminiscent of an overturned ship’s hull, draws the eye upwards. The interplay of white walls and ochre bricks creates a soothing yet dynamic atmosphere. The bricks adorn the central arches, framing the path towards the altar and the side aisles. At the heart of the sanctuary lies a breathtaking work of art. A mosaic-infused fresco by Mauméjean depicts the apparition of Our Lady of Lourdes to Bernadette Soubirous. The figure of the Virgin Mary is subtly raised, a technique that allows the stars of her halo to shimmer under electric light. Look closely at the windows of Paroisse Sainte-Bernadette. Most are the creations of Mauméjean. These vibrant cabochons and glass slabs, set in cement, are a testament to an economical yet expressive technique that flourished in the 1930s. In 1952, artist Jacques Le Chevallier added his touch to Paroisse Sainte-Bernadette. He crafted a magnificent stained-glass window depicting the Assumption of the Virgin Mary. Framed by Latin litanies, the window bathes the nave in a serene blue light. Paroisse Sainte-Bernadette isn’t immediately visible from the street. A staircase leads down to the chapel, which sits slightly recessed from the road. In 1953, architect Raymond Busse added another layer to the chapel’s story. He constructed a new facade and bell tower, seamlessly blending Paroisse Sainte-Bernadette with the neighboring buildings on Rue d’Auteuil. Today, Paroisse Sainte-Bernadette stands as a vibrant hub, part of the larger Notre-Dame-d’Auteuil parish, serving a diverse community. It serves as a reminder that even amidst the bustling city, spaces of quiet reflection and spiritual connection can flourish.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to